
Yesterday I had the pleasure of seeing Nile AND Immolation live, in concert, together. It was an evening of untrammeled brutality and ferocity, easily the best tour of the year so far. I know, I know, the year is only 28 days old.
We got to the venue, El Corazon in Seattle, around 7.30. A smallish venue, but it held enough souls to make the experience enjoyable. I bought a Nile t-shirt, as well as an Immolation t-shirt from Ross himself. The man is funny, and has a hell of a roar.
First up was Evangelist, a local Seattle band. I wasn’t too impressed with them, but they were alright for an opening band. They served their purpose by getting the crowd warmed up. The lead singer had a Pharaonic headdress on, ostensibly as homage to Nile. Anyhow, they were soon done their small set and the next band came on.
The next band was The Dreaming Dead and boy, were they great! A fine four-piece from Los Angeles, the lead, rhythm and vocal duties were handled by two ladies, while men handled the skins and basslines. A refreshing change to see more women in the scene and these two could really play. They were tight and impressed everyone there. Their setlist consisted of a few good songs, but sadly I didn’t write them down. However, I do plan on checking some more of their discography out, and you might like them too, if melodic death metal is your cup of tea.
On to Krisiun. Proudly sporting a Schizophrenia t-shirt, the boys from Brazil made short work of a brutal set. Krisiun is another of those bands that produce a wall of sound that is not easily penetrated by casual fans. However, I am just that, so the setlist may be a little incorrect or incomplete. They played:
Combustion Inferno
Wrath
Refusal
Sentenced Morning
Meaning of Terror
During the set, the drummer had some troubles with his set, and we were treated to some flashy guitar wanking courtesy of the lead axeman, who distracted us from the ineptitude of the drum tech. Soon, order was restored, more invectives were hurled, the brotherhood of metal was saluted and the thrash train from Brazil was back on the tracks. After their blistering set, which set the crowd a’moshing, we had the the mighty Immolation take the stage. They were greeted as heroes and launched into their only-too-short set. We were treated to:
Passion Kill
The Devil I Know (? Not sure about this one)
The Purge (new song off upcoming Majesty and Decay album!)
Den of Thieves
Burial Ground
World Agony
Immolation is a band I’ve never seen before and they did not disappoint. I wish they’d played songs with more groove, but one cannot have everything. I’m a fan of their devastating time-shifts which are brutally graceful. Let’s face it, their rhythm section is like a panzer ballet and while obliterating everything in its path, is yet catchy enough to hum in the shower. Maybe next time, with a longer set, Immolation will grace us with a few more songs. The t-shirt I bought:
That’s right kiddies. Can you hear us, Death to Jesus. A firm stand against theistic satanism, as my friend Geoff put it.
The chronometer ticked away, it was nigh 10 PM and the one and only Nile took the stage. A sterling intro set the stage for what was coming. We see metal bands covering classical pieces all the time, but they either speed it up or ruin it with their vocals, but in this case, Nile nailed the cover of Holst’s Mars, the Bringer of War. Without further ado, here’s the set that killed The Heart:
Rameses, the Bringer of War
Kafir!
Dusk Falls Upon The Temple Of The Serpent On The Mount Of Sunrise
Sacrifice Unto Sebek
Hittite Dung Incantation
Kudurru Maqlu
Serpent Headed Mask
Ithyphallic
Execration Text
Papyrus Containing The Spell To Preserve Its Possessor Against Attacks From He Who Is In The Water (easily the longest name of any song I’ve seen live)
Fourth Arra of Dagon
Return to the Underworld
Sarcophagus
Lashed to the Slave Stick
Cast Down the Heretic
Black Seeds of Vengeance
An excellent show, with a very strong finisher. A lot of superb songs off In Their Darkened Shrines, which is my favourite slab o’wax. Execration Text was an unexpected bonus, definitely not a song I expected to see live. I find the title track off Ithyphallic a bit drawn-out, but Papyrus… is a superlative track, one whose chorus had everyone singing along. Who knew that songs about ancient mutterings to escape crocodiles would be so catchy 7000 years after they were written.
If you’ve heard the last 5 minutes of Fourth Arra of Dagon, you know that the ending is anthemic. Simple but effective. Here’s a video of the last minute or so of it, the chanting is superb, we’re treated to some vocal crowd control, courtesy of the boys from South Carolina.
Here’s the other t-shirt I bought. Yes, it’s good to be a metalhead fanboy all over again. Dallas Toler-Wade cut his hair and looks a bit like Uncle Fester, complete with grimaces and all. The overall experience of watching Nile live was excellent. They played Sarcophagus live, which is easily one of their best songs ever, despite being one of the slower ones in their repertoire.
All in all, a great night for brutal death metal and well worth the drive down to Seattle. Here’s to the next show, may it be as good as this one.